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	<title>NFTU.co.uk &#187; Theatre</title>
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	<description>Writing about everything</description>
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		<title>What I Owe by Jerusalem Whaley</title>
		<link>http://www.nftu.co.uk/2012/02/04/what-i-owe-by-jerusalem-whaley/</link>
		<comments>http://www.nftu.co.uk/2012/02/04/what-i-owe-by-jerusalem-whaley/#comments</comments>
		<pubDate>Sat, 04 Feb 2012 18:45:23 +0000</pubDate>
		<dc:creator>gemlouisestone</dc:creator>
				<category><![CDATA[A Play A Week]]></category>
		<category><![CDATA[Stage & Screen]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[a play a week]]></category>
		<category><![CDATA[jerusalem whaley]]></category>

		<guid isPermaLink="false">http://www.nftu.co.uk/?p=1778</guid>
		<description><![CDATA[Barfly 1: On my morning stroll Lays dormant variation; Crosswords help the mind, So does changing route she used to say. Never without a wisdom was she, Of the homespun variety that is, And in our home I drew out, Her words to stretch a blanket Of amber-warm gold, Like I get now, From the whiskey chasers, Lacing deep black stout, The throat-greasers, The triple-distilled mind-benders, That send me send me to slumber, To a dead catatonia, Until the next Turn of moon and my brain, Turns itself to fear! But it wasn&#8217;t like that when I was young and [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<title>A Conversation with Ché Walker</title>
		<link>http://www.nftu.co.uk/2012/02/04/a-conversation-with-che-walker/</link>
		<comments>http://www.nftu.co.uk/2012/02/04/a-conversation-with-che-walker/#comments</comments>
		<pubDate>Sat, 04 Feb 2012 18:23:59 +0000</pubDate>
		<dc:creator>gemlouisestone</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Stage & Screen]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Che Walker]]></category>
		<category><![CDATA[playwrite]]></category>
		<category><![CDATA[Tash Fairbanks]]></category>
		<category><![CDATA[The Finborough theatre]]></category>
		<category><![CDATA[The Globe]]></category>
		<category><![CDATA[The Royal Court]]></category>
		<category><![CDATA[Toby Wharton]]></category>

		<guid isPermaLink="false">http://www.nftu.co.uk/?p=1594</guid>
		<description><![CDATA[&#160; Che’ Walker is one of the UK’s most exciting and inspirational playwrights and directors. His works include Been So Long and Flesh Wound - both at The Royal Court. His best known play, The Frontline, was staged at The Globe to great acclaim. His lyrical, tender and naturalistic style appeals to a wide and diverse audience. Fog has just finished its run at The Finborough theatre. &#160; What attracted you to Toby Wharton &#38; Tash Fairbanks’ Fog ? The characters remind me of people I went to school with, was beaten up by, kissed by&#8230; and it&#8217;s very important to remind people [...]]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Coming soon to a theatre near you</title>
		<link>http://www.nftu.co.uk/2012/02/01/coming-soon-to-a-theatre-near-you/</link>
		<comments>http://www.nftu.co.uk/2012/02/01/coming-soon-to-a-theatre-near-you/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 21:35:23 +0000</pubDate>
		<dc:creator>Carleen Peters</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Your Face Here]]></category>
		<category><![CDATA[Chuck Mike]]></category>
		<category><![CDATA[Collective Artistes]]></category>
		<category><![CDATA[Ian Brown]]></category>
		<category><![CDATA[Patricia Cumper]]></category>
		<category><![CDATA[Talawa]]></category>
		<category><![CDATA[Waiting for Godot]]></category>
		<category><![CDATA[West Yorkshire Playhouse]]></category>
		<category><![CDATA[WYP]]></category>
		<category><![CDATA[Zhe]]></category>

		<guid isPermaLink="false">http://www.nftu.co.uk/?p=1759</guid>
		<description><![CDATA[February is going to be a rather exciting month for BAME British theatre. The YFH team is particularly excited by the prospect of Zhe, a brand new piece by renowned director Chuck Mike and actors Antonia Kemi Coker and Tonderai Munyevu, exploring themes of culture, nationality, gender and sexuality. Zhe is being created in conjunction with the London, Nigerian and new Zimbabwean based arms of theatre company, Collective Artistes. It will be previewing at The Canada Water Culture Space this month, and will be the first professional show to take place in this space. We were also pretty damn stoked to [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>A sting in the myth of stability</title>
		<link>http://www.nftu.co.uk/2012/02/01/a-sting-in-the-myth-of-stability/</link>
		<comments>http://www.nftu.co.uk/2012/02/01/a-sting-in-the-myth-of-stability/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 11:31:35 +0000</pubDate>
		<dc:creator>Adam Smith</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[financial crisis]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[Soho Theatre]]></category>

		<guid isPermaLink="false">http://www.nftu.co.uk/?p=1748</guid>
		<description><![CDATA[Don’t kid yourself. We may have iPads and be close to polio eradication, but we’re still animals.]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Make Plays Not War: Is Theatre Helping the Protest Movement?</title>
		<link>http://www.nftu.co.uk/2012/01/29/make-plays-not-war-is-theatre-helping-the-protest-movement/</link>
		<comments>http://www.nftu.co.uk/2012/01/29/make-plays-not-war-is-theatre-helping-the-protest-movement/#comments</comments>
		<pubDate>Sun, 29 Jan 2012 11:11:32 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Stage & Screen]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[cabaret]]></category>
		<category><![CDATA[guerilla theatre]]></category>
		<category><![CDATA[invisible circus]]></category>
		<category><![CDATA[occupy]]></category>
		<category><![CDATA[show trial]]></category>
		<category><![CDATA[spending cuts]]></category>
		<category><![CDATA[theatre uncut]]></category>

		<guid isPermaLink="false">http://www.nftu.co.uk/?p=1614</guid>
		<description><![CDATA[By Jon Ironmonger Theatre doth protest so much methinks – since the rhetoric of 6th Century Athens, drama has been weaved together with the expression of political ideas. And dramatic activism is nothing new. A lazy name was coined in the 1960s: Guerilla Theatre, as journalists sought to describe a riot of outlandish performances in defiance of Capitalism and the Vietnam War. Now in the second decade of the new millennium, theatre in London takes countless forms. But it is more than a creative spark which spurs players from the stage to the street and from paying audiences to the [...]]]></description>
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		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>Stephen Laughton: The Biggest Tarantino Fan In The World…</title>
		<link>http://www.nftu.co.uk/2012/01/03/stephen-laughton-the-biggest-tarantino-fan-in-the-world%e2%80%a6/</link>
		<comments>http://www.nftu.co.uk/2012/01/03/stephen-laughton-the-biggest-tarantino-fan-in-the-world%e2%80%a6/#comments</comments>
		<pubDate>Tue, 03 Jan 2012 01:21:25 +0000</pubDate>
		<dc:creator>Stephen Laughton</dc:creator>
				<category><![CDATA[Theatre]]></category>

		<guid isPermaLink="false">http://www.nftu.co.uk/?p=938</guid>
		<description><![CDATA[Mid 2011, and NFTU Associate Editor for New Talent (and playwright) Stephen Laughton is taking part in a  24hour play festival that kicks off at 8pm on the 8th July on W36th Street, New York City&#8230; The challenge to write, produce and perform a play in just 24 short hours. The additional eeek Stephen is the only person involved who isn&#8217;t physically in New York at the time. Writing through the night from London, he penned the following short play. THE BIGGEST TARANTINO FAN IN THE WORLD… a short play by Stephen Laughton   WHO Tommy Ramone Gabriel Sevi WHERE [...]]]></description>
		<wfw:commentRss>http://www.nftu.co.uk/2012/01/03/stephen-laughton-the-biggest-tarantino-fan-in-the-world%e2%80%a6/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
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