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	<title>NFTU.co.uk</title>
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	<link>http://www.nftu.co.uk</link>
	<description>Writing about everything</description>
	<lastBuildDate>Mon, 06 Feb 2012 10:18:06 +0000</lastBuildDate>
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		<title>A Siren Was Calling by Kate Coyne</title>
		<link>http://www.nftu.co.uk/2012/02/06/a-siren-was-calling-by-kate-coyne/</link>
		<comments>http://www.nftu.co.uk/2012/02/06/a-siren-was-calling-by-kate-coyne/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 10:17:08 +0000</pubDate>
		<dc:creator>Sharlene Teo</dc:creator>
				<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Writing]]></category>
		<category><![CDATA[fiction]]></category>
		<category><![CDATA[kate coyne]]></category>
		<category><![CDATA[New Writing]]></category>
		<category><![CDATA[short fiction]]></category>
		<category><![CDATA[short story]]></category>
		<category><![CDATA[siren]]></category>

		<guid isPermaLink="false">http://www.nftu.co.uk/?p=1815</guid>
		<description><![CDATA[I couldn’t see her face. Her black hair was shiny and long and I was afraid that if she turned around she might break my heart. I decided that she was beautiful just by the way she sat gazing out to sea and I didn’t want her to stop watching the darkening horizon for lights. I assumed she was watching for ships: the women I had seen on this part of the coastline nearly always were. So I sat resisting the urge to move, not that she would have noticed me if I had, and I only occasionally flicked out [...]]]></description>
		<wfw:commentRss>http://www.nftu.co.uk/2012/02/06/a-siren-was-calling-by-kate-coyne/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>All I Ask of Me: Helen Murray</title>
		<link>http://www.nftu.co.uk/2012/02/05/all-i-ask-of-me-helen-murray/</link>
		<comments>http://www.nftu.co.uk/2012/02/05/all-i-ask-of-me-helen-murray/#comments</comments>
		<pubDate>Sun, 05 Feb 2012 18:57:10 +0000</pubDate>
		<dc:creator>Stephen Laughton</dc:creator>
				<category><![CDATA[New Talent]]></category>
		<category><![CDATA[Optic Nerve]]></category>
		<category><![CDATA[Photography]]></category>

		<guid isPermaLink="false">http://www.nftu.co.uk/?p=1793</guid>
		<description><![CDATA[Helen Murray is a freelance photographer. She is currently working with the Royal Court Theatre on their Young Writers Festival. She studied photography at school and went pro in 2009 &#8211; assisting well known Theatre Photographer Simon Annad for two years on his ongoing Theatre project &#8216;The Half&#8217;. Helen credits him in the direction she has taken in her photography. She primarily takes portraits of Actors but has built up her own resume working with Theatres such as The Royal Court and Theatre Royal Haymarket. Her latest venture has seen her work as the production photographer for The Bravo 22 [...]]]></description>
		<wfw:commentRss>http://www.nftu.co.uk/2012/02/05/all-i-ask-of-me-helen-murray/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>What I Owe by Jerusalem Whaley</title>
		<link>http://www.nftu.co.uk/2012/02/04/what-i-owe-by-jerusalem-whaley/</link>
		<comments>http://www.nftu.co.uk/2012/02/04/what-i-owe-by-jerusalem-whaley/#comments</comments>
		<pubDate>Sat, 04 Feb 2012 18:45:23 +0000</pubDate>
		<dc:creator>gemlouisestone</dc:creator>
				<category><![CDATA[A Play A Week]]></category>
		<category><![CDATA[Stage & Screen]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[a play a week]]></category>
		<category><![CDATA[jerusalem whaley]]></category>

		<guid isPermaLink="false">http://www.nftu.co.uk/?p=1778</guid>
		<description><![CDATA[Barfly 1: On my morning stroll Lays dormant variation; Crosswords help the mind, So does changing route she used to say. Never without a wisdom was she, Of the homespun variety that is, And in our home I drew out, Her words to stretch a blanket Of amber-warm gold, Like I get now, From the whiskey chasers, Lacing deep black stout, The throat-greasers, The triple-distilled mind-benders, That send me send me to slumber, To a dead catatonia, Until the next Turn of moon and my brain, Turns itself to fear! But it wasn&#8217;t like that when I was young and [...]]]></description>
		<wfw:commentRss>http://www.nftu.co.uk/2012/02/04/what-i-owe-by-jerusalem-whaley/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>A Conversation with Ché Walker</title>
		<link>http://www.nftu.co.uk/2012/02/04/a-conversation-with-che-walker/</link>
		<comments>http://www.nftu.co.uk/2012/02/04/a-conversation-with-che-walker/#comments</comments>
		<pubDate>Sat, 04 Feb 2012 18:23:59 +0000</pubDate>
		<dc:creator>gemlouisestone</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Stage & Screen]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Che Walker]]></category>
		<category><![CDATA[playwrite]]></category>
		<category><![CDATA[Tash Fairbanks]]></category>
		<category><![CDATA[The Finborough theatre]]></category>
		<category><![CDATA[The Globe]]></category>
		<category><![CDATA[The Royal Court]]></category>
		<category><![CDATA[Toby Wharton]]></category>

		<guid isPermaLink="false">http://www.nftu.co.uk/?p=1594</guid>
		<description><![CDATA[&#160; Che’ Walker is one of the UK’s most exciting and inspirational playwrights and directors. His works include Been So Long and Flesh Wound - both at The Royal Court. His best known play, The Frontline, was staged at The Globe to great acclaim. His lyrical, tender and naturalistic style appeals to a wide and diverse audience. Fog has just finished its run at The Finborough theatre. &#160; What attracted you to Toby Wharton &#38; Tash Fairbanks’ Fog ? The characters remind me of people I went to school with, was beaten up by, kissed by&#8230; and it&#8217;s very important to remind people [...]]]></description>
		<wfw:commentRss>http://www.nftu.co.uk/2012/02/04/a-conversation-with-che-walker/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Behind the Scene: Maja Daniels</title>
		<link>http://www.nftu.co.uk/2012/02/04/behind-the-scene-maja-daniels/</link>
		<comments>http://www.nftu.co.uk/2012/02/04/behind-the-scene-maja-daniels/#comments</comments>
		<pubDate>Sat, 04 Feb 2012 09:00:13 +0000</pubDate>
		<dc:creator>Rachel Vere</dc:creator>
				<category><![CDATA[Optic Nerve]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[maja daniels]]></category>
		<category><![CDATA[optic nerve]]></category>
		<category><![CDATA[paris]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[twins]]></category>

		<guid isPermaLink="false">http://www.nftu.co.uk/?p=1631</guid>
		<description><![CDATA[Monette and Mady are twins. They have lived their whole life closely together and are, as they say, inseparable. When I met them on the streets of Paris I was instantly fascinated by their identical outfits and synchronized corporal language. They often finish off each others sentences and they refer to themselves as « I » instead of « we ». Monette and Mady do not just share a close relationship as sisters, they have also made a profession out of their image. They act, model and dance as a couple. Even the most basic part of their performance; dressing [...]]]></description>
		<wfw:commentRss>http://www.nftu.co.uk/2012/02/04/behind-the-scene-maja-daniels/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Coming soon to a theatre near you</title>
		<link>http://www.nftu.co.uk/2012/02/01/coming-soon-to-a-theatre-near-you/</link>
		<comments>http://www.nftu.co.uk/2012/02/01/coming-soon-to-a-theatre-near-you/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 21:35:23 +0000</pubDate>
		<dc:creator>Carleen Peters</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Your Face Here]]></category>
		<category><![CDATA[Chuck Mike]]></category>
		<category><![CDATA[Collective Artistes]]></category>
		<category><![CDATA[Ian Brown]]></category>
		<category><![CDATA[Patricia Cumper]]></category>
		<category><![CDATA[Talawa]]></category>
		<category><![CDATA[Waiting for Godot]]></category>
		<category><![CDATA[West Yorkshire Playhouse]]></category>
		<category><![CDATA[WYP]]></category>
		<category><![CDATA[Zhe]]></category>

		<guid isPermaLink="false">http://www.nftu.co.uk/?p=1759</guid>
		<description><![CDATA[February is going to be a rather exciting month for BAME British theatre. The YFH team is particularly excited by the prospect of Zhe, a brand new piece by renowned director Chuck Mike and actors Antonia Kemi Coker and Tonderai Munyevu, exploring themes of culture, nationality, gender and sexuality. Zhe is being created in conjunction with the London, Nigerian and new Zimbabwean based arms of theatre company, Collective Artistes. It will be previewing at The Canada Water Culture Space this month, and will be the first professional show to take place in this space. We were also pretty damn stoked to [...]]]></description>
		<wfw:commentRss>http://www.nftu.co.uk/2012/02/01/coming-soon-to-a-theatre-near-you/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>A sting in the myth of stability</title>
		<link>http://www.nftu.co.uk/2012/02/01/a-sting-in-the-myth-of-stability/</link>
		<comments>http://www.nftu.co.uk/2012/02/01/a-sting-in-the-myth-of-stability/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 11:31:35 +0000</pubDate>
		<dc:creator>Adam Smith</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[financial crisis]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[Soho Theatre]]></category>

		<guid isPermaLink="false">http://www.nftu.co.uk/?p=1748</guid>
		<description><![CDATA[Don’t kid yourself. We may have iPads and be close to polio eradication, but we’re still animals.]]></description>
		<wfw:commentRss>http://www.nftu.co.uk/2012/02/01/a-sting-in-the-myth-of-stability/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Egon Schiele&#8217;s women</title>
		<link>http://www.nftu.co.uk/2012/01/31/egon-schieles-women/</link>
		<comments>http://www.nftu.co.uk/2012/01/31/egon-schieles-women/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 17:30:54 +0000</pubDate>
		<dc:creator>Lisa Cadwallader</dc:creator>
				<category><![CDATA[Columnists]]></category>
		<category><![CDATA[Crow]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[cadwallader]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[Schiele]]></category>
		<category><![CDATA[vienna]]></category>

		<guid isPermaLink="false">http://www.nftu.co.uk/?p=1722</guid>
		<description><![CDATA[Egon Schiele is famous today for his paintings of prostitutes with red cheeks, and crotches. You look at them and presume the magnetic insecurity of womanhood. Pornography for the bored pre-war aristocrats of a decaying Vienna. Recognised among Klimt and Kokoschka as an artist of the Vienna Secession, Schiele objected to the fervent pursuit of conservatism in post-empire Vienna.  In the absence of confidence in progress, loomed a cultural boredom unhinged at it&#8217;s former glory.  Artists such as Schiele turned their backs and indulged in provocation. The women represent Schiele&#8217;s confrontation of his prudish Vienna in all her plentiful regal [...]]]></description>
		<wfw:commentRss>http://www.nftu.co.uk/2012/01/31/egon-schieles-women/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Nunhead</title>
		<link>http://www.nftu.co.uk/2012/01/31/nunhead/</link>
		<comments>http://www.nftu.co.uk/2012/01/31/nunhead/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 10:11:53 +0000</pubDate>
		<dc:creator>Annabel Howard</dc:creator>
				<category><![CDATA[Columnists]]></category>
		<category><![CDATA[London Notes]]></category>
		<category><![CDATA[annabel howard]]></category>
		<category><![CDATA[london notes]]></category>
		<category><![CDATA[nunhead]]></category>

		<guid isPermaLink="false">http://www.nftu.co.uk/?p=1701</guid>
		<description><![CDATA[Nunhead possesses what has been called ‘a spymaster’s flair for anonymity,’ so, if like me you’d never heard of it, prepare to be surprised. Here Ed Harkness introduces us to Nunhead Cemetery, one of London’s many quirks, a nature reserve that is also a 52 acre gothic cemetery. It’s one of the Victorians’ ’Magnificent Seven’ – burial grounds built in the early 1800s to cope with overcrowded parish graveyards. Ed Harkness on Nunhead Cemetery:– Today I’m going in search of a bench. The one Robin told us about. He was laying out cards on the covered reservoir but there was [...]]]></description>
		<wfw:commentRss>http://www.nftu.co.uk/2012/01/31/nunhead/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Man on the Bench by Euan Stuart</title>
		<link>http://www.nftu.co.uk/2012/01/30/the-man-on-the-bench-by-euan-stuart/</link>
		<comments>http://www.nftu.co.uk/2012/01/30/the-man-on-the-bench-by-euan-stuart/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 21:30:12 +0000</pubDate>
		<dc:creator>Sharlene Teo</dc:creator>
				<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Writing]]></category>
		<category><![CDATA[Euan Stuart]]></category>
		<category><![CDATA[nabakov]]></category>
		<category><![CDATA[New Writing]]></category>
		<category><![CDATA[short fiction]]></category>
		<category><![CDATA[short story]]></category>
		<category><![CDATA[surreal]]></category>

		<guid isPermaLink="false">http://www.nftu.co.uk/?p=1687</guid>
		<description><![CDATA[&#160; &#160; It was in the park that I met him. I run there two or three times a week. A few circuits; a couple of miles at most. Not as often in the winter, when I look outside at the grey and the cold, the figures striding into the wind wearing hats and scarves and decide better of it; but regularly in the spring and the summer when there are smiles on faces and the air is warm and inviting. I work from home and it’s good to be outside, among people for a while. I remember the day. [...]]]></description>
		<wfw:commentRss>http://www.nftu.co.uk/2012/01/30/the-man-on-the-bench-by-euan-stuart/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
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